The Rough Cut features in-depth interviews with the film and tv industry's top post production professionals on the topics of film editing, video editing, sound design and more. Hosted by @MattFeury.
<h2>Editor – Joe Murphy and Music Editor – Scott Hedrick</h2> <p><em>Resident Evil</em> editor Joe Murphy and music editor Scott Hedrick join <em>The Rough Cut</em> to discuss the picture and music ed...
<h1>Editors – Chris Chandler and Devin Dulany</h1> <p><em>The Musical</em> editors Chris Chandler and Devin Dulany discuss cutting a dark comedy that turns professional frustration, romantic jealousy ...
<h2>Editor – Phil Hignett</h2> <p><em>Finding Emily</em> editor Phil Hignett returns to <em>The Rough Cut</em> to discuss cutting a romantic comedy built around music, timing, chemistry and the diffic...
<h2>Editor – John Axelrad, ACE</h2> <p><em>The End of Oak Street</em> editor John Axelrad, ACE returns to <em>The Rough Cut</em> to discuss cutting a science-fiction thriller that takes an ordinary su...
<p>Spider-Man: Brand New Day</p> <h2>Editors – Nat Sanders, ACE; Harry Yoon, ACE and Gina Sansom</h2> <p><em>Spider-Man: Brand New Day</em> editors Nat Sanders, ACE, Harry Yoon, ACE and Gina Sansom jo...
<h2>Editor – Payton Koch</h2> <p>For <em>Avatar: The Last Airbender</em> editor Payton Koch, this job offered a very different kind of editorial challenge from his Emmy-nominated work on <em>Only Murd...
<h2>Editor – Greg Ng</h2> <p>BACKROOMS editor Greg Ng joins <em>The Rough Cut</em> to discuss cutting a film built around liminal spaces, analog horror, slow-burn tension and the challenge of turning ...
<h2>Editor – Greg O'Bryant</h2> <p class="isSelectedEnd"><em>Tuner</em> editor Greg O'Bryant returns to the podcast to discuss cutting a film that is part crime thriller, part romance, part character ...
<h1>Widow's Bay</h1> <h2>Editors – Isaac Hagy, ACE; Kyle Reiter, ACE and Jen Bryson</h2> <p>The editors of <em>Widow's Bay</em> may not live on a cursed New England island, but after years of working ...
<p>Spider-Noir</p> <h2>Editors – Jennifer Barbot, ACE; Tirsa Hackshaw, ACE; Eric Kissack, ACE and Geraud Brisson, ACE</h2> <p>Although the editors of <em>Spider-Noir</em> may have all arrived at the s...
<h2>Editors - Laura Zempel, ACE and Lauren Connelly, ACE</h2> <p>Although BEEF - Season 2 editors Laura Zempel and Lauren Connelly are working together for the first time, this is Laura's second seaso...
<h2>Editor - Brian Philip Davis</h2> <p><em>Hokum </em>editor Brian Philip Davis teams up once more with director Damian McCarthy. Prior to this film the two joined forces to craft McCarthy's superna...
<h2>Editor - Nena Erb ACE and Asst. Editor Gioia Caruso</h2> <p><em>Wonder Man</em> editor Nena Erb and her assistant Gioia Caruso first worked together on the R-rated road trip comedy, <em>Joy Ride.<...
<h2>Editor - Joel Negron ACE, Sound Designers - Erik Aadahl and Ethan Van der Ryn</h2> <p><em>Project Hail Mary</em> editor Joel Negron says that one of the first calls that he makes when he signs on ...
<h2>Editor - Tim Squyres, ACE</h2> <p><em>Mike & Nick & Nick & Alice</em> editor Tim Squyres has over three decades of experience working with directors such as Ang Lee, Robert Altman and Jonathan Dem...
<h2>Editor - Nigel Williams</h2> <p><em>How to Get to Heaven From Belfast </em>editor Nigel Williams once again finds himself cutting with showrunner Lisa McGee. Having first worked with McGee on her...
<h2>Editors - Arthur Tarnowski ACE, CCE and Véronique Barbe CCE</h2> <p>After years of working in different cutting rooms across Montreal, <em>Heated Rivalry</em> editors Arthur Tarnowski and Véroniqu...
<h2>Editor - Michael P. Shawver</h2> <p><em>Sinners</em> editor Michael Shawver has enjoyed a long and productive relationship with his former USC classmate, director Ryan Coogler. Together the two h...
<h2>Editors - Skip Macdonald ACE, Chris McCaleb ACE and Joey Liew</h2> <p>The <em>PLUR1BUS</em> editing team of Skip, Chris and Joey have worked together for 15 years on Vince Gilligan's <em>Breaking ...
